eagle

eagle statue that existed at the stories in bali, this eagle is another form of intangible eagle, has a viscosity of culture, art, and civilization bali, this bird also exist in the cultural park Vishnu golden eagle that was in Jimbaran.

batterfly painting

any of our products, a butterfly painting, abstract patterned very beautiful view of the sketch and the painting color combination, you could say this is a spectacular art,

budhas in crocodile wood

happy Buddha statue, is one of the products we have, this sculpture is made from crocodile wood, which obviously has artistic value and uniqueness, the outer shell of wood is not removed, but still displayed, and sendri Buddhist position in the middle of the wood, interesting?

rama and shinta

Narrated in a land called Mantili have a beautiful daughter named Nan Dewi Shinta. She was a daughter of the king of King Janaka Mantili. One day the King held a contest to get the Prince to his beloved daughter is Shinta, and eventually the contest was won by Royal Crown Ayodya, Rama, Raden Wijaya. But in this story there is also a king Alengkadiraja King Ravana, who also was in love, but not to the Dewi Shinta but he wanted to marry Dewi Widowati. Vision of Ravana, Shinta Dewi Widowati regarded as the incarnation of this dream is over. In a journey of Rama and Shinta and Lesmana accompanied by her sister, was going through the jungle forests called Dandaka, the giant King Ravana lurks three of them, especially Shinta. Ravana wants to kidnap Shinta brought to his palace and be his wife, with his move Ravana was a slave named Marica transform into a golden deer. To lure Rama went hunting deer 'imitation' is, as Dewi Shinta wants it. And it is true after seeing the beauty of the deer, Shinta asks Rama to catch it. Due to the demand of the beloved wife of Rama tried to chase the deer alone is Shinta and Lesmana wait.

In a long enough time left to hunt, Shinta Rama started to worry about, then ask Lesmana to look for it. Before leaving Shinta alone Lesmana not forget to make a protection order to maintain the safety of Shinta is to create a magical circle. With this circle Shinta not be issued at all of his limbs in order to remain secure his safety, so Shinta only be limited to moving the circle. After the departure of Lesmana, Ravana went into effect for the kidnapping, but the effort failed because there is such a magical circle. Ravana started looking for another strategy, how it is disguised by turning into an old Brahmin and took careful aim Shinta to give alms. It turned out that managed to make his move Shinta reached out to give alms, Shinta unknowingly violated the provisions of the magical circle that is not permitted to issue a limb a bit! When Ravana was also not wanting to miss an opportunity he seized his hand and pulled out of the circle Shinta. Furthermore by Ravana, Shinta take home to his palace in Alengka. While returning to the battle with Garuda bird named Jatayu who want to help Dewi Shinta. Jatayu can recognize as the daughter of Janaka Shinta which is a good friend, but in battles that can be defeated Jatayu Ravana.

At the same time Rama kept chasing golden deer and Rama finally shot him, but the deer was turned back into a giant. Marica is actually held in the form of Rama to fight on the battle between the two, and in the end Rama shoots the giant. At the same time managed to find Rama Lesmana and they both returned to the place where Shinta was left alone, but when he got Shinta was not found. Furthermore they are both trying to find and meet wounded Jatayu, Rama Jatayu suspect who abducted and with great emotion he wanted to kill him but have been prevented by Lesmana. From the information they learned that Jatayu who has kidnapped Shinta is Ravana! After telling all this finally the eagle died.

They both decided to take a trip to the palace of Ravana and the middle of the road they met a white monkey named Hanuman who is looking for the knights to beat Subali. Subali is the brother of the uncle of Hanuman Sugriva, the brother took his sister loved the goddess Tara. Short story of Rama was willing to help defeat Subali, and finally succeeded in the effort to return Sugriva's wife Tara. On that occasion also Rama will continue his journey with Shinta Dewi Lesmana to find his kidnapped wife in the palace of Ravana Alengka. Because he felt indebted to Rama Sugriva then offered his help in finding re-Shinta, beginning with the dispersion to the palace sent Hanuman to find out Ravana hid Alengka Shinta and know the power of Ravana forces.

Argasoka garden is a place where the royal garden Alengka Shinta spend days wait is picked up again by the husband. In Argasoka Trijata Shinta accompanied by the nephew of Ravana, while also trying to persuade Shinta to be willing to be the wife of Ravana. Having been asked several times Ravana and 'forced' to be his wife Shinta but rejected, to the extent that his patience is exhausted Ravana wanted to kill Shinta but can be prevented by Trijata. In the sadness Argasoka Shinta in the garden he heard a chant song by a white monkey Hanuman which was on him. After his presence known Shinta, immediately facing Hanuman to convey its presence as a messenger of Rama purpose. Once completed submit maskudnya Hanuman immediately wanted to know the power of the kingdom Alengka. How to create confusion that is damaging the beauty of the park, and finally Hanuman Indrajid captured by Ravana's son and then taken to Ravana. Hanuman will be killed because of his anger, but was prevented by his brother Kumbhakarna, because it is opposed, then thrown out of work Kumbakarna Alengka. But finally fixed Hanuman is sentenced to be burned alive, but instead of burning to death but Hanuman Alengka empire and managed to escape. Upon his return from Lanka, Hanuman told all the events and conditions Alengka to Rama. After the report, then Rama decided to leave the kingdom Alengka attack and followed the leadership of Hanuman monkey troops.

Arriving at the palace of Ravana on fire, which was initially led by Indrajid Alengka party. In this battle can be defeated through the death of Indrajid Indrajit. Alengka pressured by the army of Rama, the wise giant Kumbakarna requested by Ravana became senopati war. Kumbakarna agreed but instead to defend his brother wrath, but for the sake of defending the nation and the country is also fighting Kumbakarna Alengkadiraja.Dalam be defeated and died as a hero of his nation. With the death of his brother, finally faced his own Rama Ravana. Pad the end of this battle can also be defeated Ravana entire Rama-led forces. Rahmana died by the arrows of Rama and squeezed mountain heritage is brought Sumawana Hanuman.

After all the terrible battle with the defeat on the part of the Rama Alengka can freely enter the castle and find his beloved wife. With escorted by Hanuman go to meet Shinta Argasoka park, but Rama refused because he thought had been tarnished during Shinta Shinta on Alengka kingdom. Then Rama asked for proof of his holiness, that is by self-immolation. Because the truth of the sanctity of the God of Fire and rescue Shinta, Shinta survived the fire. Thus evident that the sacred remains and eventually Shinta Rama back to Shinta accept with compassion and happiness. And the end of this story they return to their palace.

Turmeric is a form of shrubs and herbs is an annual (perennial) that
spread throughout the tropics. Turmeric plant grows wild around the forest and fertile / former garden. Turmeric comes from the sparkle is estimated at an altitude of 1300-1600 m above sea level, some are saying that turmeric comes from India.

Curcuma word derived from Arabic and Greek Kurkum Karkom. In 77-78 BC, Dioscorides called this plant as Cyperus like ginger, but bitter, chocolate, and a little spicy, but not toxic. Turmeric plant widely cultivated in South Asia especially in India, South China, Taiwan, Indonesia (Java), and the Philippines.

Turmeric plant grows to the height of 40-100 cm fork. Is the pseudo-stem trunks, upright, rounded, forming a rhizome with yellowish green color and is composed of leaf midrib (slightly soft).

Single leaf, oval shape (lanceolate) extends up to 10-40 cm, a width of 8 to 12.5 cm and pertulangan pinnate with a pale green color. Compound-interest-haired and scaly from the pseudo-stem shoots, 10-15 cm long with
crown about 3 cm and 1.5 cm wide, white / yellowish.
Tapered leaf tip and base, the edge of a flat leaf. The outer skin-colored rhizome
brownish orange, orange-red flesh yellowish.

Types of Curcuma domestica Val, C. Rumph domestica, C. Longa Auct, u C. Longa Linn, Amomum curcuma Murs. This is the most famous kind saffron from other types of saffron.

History of batik in Indonesia is closely linked with the development of the Majapahit empire and the spread of Islam in Java. In some records, the development of batik is mostly done in times of Mataram kingdom, then work on the Solo danYogyakarta.

So this batik art in Indonesia has been known since the days of work and continues to evolve to the Majapahit kingdom, the kings of the next. As for starting the spread of this batik art belongs to the people of Indonesia and Java in particular tribe is after the end of the eighteenth century or early nineteenth century. Produced batik batik is all up to the early twentieth century and is known batik new world of unity after the war finished, or about 1920. The connection with the spread of Islam. Many areas in the central Javanese batik are areas Batik students and later became a tool of economic perjaungan by the leaders of Muslim merchants against the Dutch economy.
Batik art is art image on the cloth for clothing that was one of cultural keluaga Indonesia kings of old. Batik initially worked in the palace alone are limited and the results for the king's clothing and family and his followers. Because many of the followers of the king who lived outside the palace, the art of batik was brought by the palace and carried them out in place of each.
Old-old art of batik was imitated by the people nearest and further extends into the work of women in the household to fill his spare time. Furthermore, batik clothes that used only the royal family, became a popular folk clothing, both women and men. White fabric that is used when it is the result of homespun.
Coloring materials are being used consist of native plants Indonesia made itself among others of: noni tree, tall, Soga, indigo, and the material made from soda ash soda, and salt is made of mud.
Majapahit
Batik has become a culture in which the royal Majahit, pat traced in Mojokerto and Tulung Court. Mojoketo is closely associated with the Majapahit kingdom during the first and the origin of the name has something to do with the Majapahit Majokerto. Relation to the development of batik Tulung Majapahit Agung is grown in the development of batik history of this area, can be extracted from the relics at the time of the Majapahit empire. At that time the most Tulungagung area consists of wetlands in the history of the area known as Bonorowo, which at the time of Majapahit bekembangnya area ruled by a Duke benama Kalang, and would not submit to the kingdom of Majapahit.
Told that the police action launched by Majapahati, Duke Kalang supposedly killed in the fighting around the village which is now reportedly named Kalangbret. Thus the army officers and families, Majapahit kingdom settled and lived in the region that is now named Bonorowo or Tulungagung, among others, also carry original art of batik making.
Local batik is now in Mojokerto contained in Kwali, Kirkcaldy, Betero and Sidomulyo. Outside of the district is in Jombang Mojokerto. In the late nineteenth century there are some people who are known batik in Mojokerto, the materials used at that time a white cloth woven by himself and the drugs of soga jambal batik, noni, indigo tom, height and so on.
Foreign drugs known as post-war new world of unity which are sold by Chinese traders in Mojokerto. Batik is known along with the influx of drugs from abroad batik. Cap made in Bangil and batik entrepreneurs can afford market Mojokerto Porong Sidoarjo, Porong market before the economic crisis the world is known as a bustling market, where the results of production and Jetis Kedungcangkring Sidoarjo batik are sold. Time of economic crisis, entrepreneurs crippled batik Mojoketo participate, because most of the entrepreneurs of small businesses. Batik activities after the crisis comes back to Japan to Indonesia, and the Japanese occupation of batik activities paralyzed again. Batik activities appear again after the revolution which has become the occupation Mojokerto.
Characteristic of batik Kalangbret of Mojokerto is similar to batik batik-output Yogyakarta, which is basically white and color coraknya brown and dark blue. Known since more than a century ago where batik village Majan and Simo. The village also has a history as a relic of the days of the war Diponegoro 1825.
Although known since ancient batik Majapahait but the development of batik began to spread rapidly since the area of ​​Central Java, Surakarta and Yogyakata, in the era of the kingdom in this area. It appears that the development of batik in Mojokerto and subsequent Supreme Tulung more dipenagruhi style batik Solo and Yogyakarta.
Majan babaran batik colors and Simo is unique because of the color red babarannya light (from the bark of Morinda citrifolia) and other colors of the tom. As batik Setra since time immemorial the village area is also famous Sembung, batik entrepreneurs who are mostly from Tulungagung Sala came in the late nineteenth century. Only now there are still some families who settled batik from Sala Sembung area. Apart from places where there is also a local batik proficiency level in Psychology and also a couple in Karachi, but the nature of most batik handicrafts and batik babarannya.
Age Spread of Islam
History of batik in the areas of East Java is in Roxburgh, whose story is related to the spread of Islam in this area. Batik history. Mentioned problem areas Ponorogo batik art is closely connected with the development of Islamic religion and the kingdoms first. That said, in Batoro Katong area, there is a descendant of the Majapahit empire whose name is the younger brother of Prince Raden Katong Broken. Batoro Katong is what brought Islam to the existing petilasan Ponorogo and now is a mosque area Patihan Wetan.
Selanjutanya developments, at Roxburgh, in the area there is a boarding school Tegalsari Kyai Hasan Basri who cared or known as the Great Tegalsari Kyai. Tegalsari boarding is in addition to teaching the religion of Islam also teaches administrative sciences, sciences and literature of war. A famous disciple of the field of literature is Tegalsari Ronggowarsito Raden. Kyai Hasan Basri was taken into the king's daughter by Kraton Solo.
Batik art at that time confined within the palace. Therefore Solo royal daughter became the wife Kyai Hasan Basri then brought into Tegalsari and followed by a retinue. besides that there are many Solo royal family dipesantren this study. This event is brought out of the palace of art bafik towards Roxburgh. Young people who are educated in this Tegalsari when it came out, the community will donate dharma batik in areas kepamongan and religion.
Long batik areas that we can see now is the area that is Kepatihan Wetan Kauman now and from here spread to the villages Ronowijoyo, Mangunsuman, Kertosari, Setono, Cokromenggalan, Duchy, Nologaten, Bangunsari, Cekok, Banyudono and Ngunut. At that time the drugs used in batik is made in our own country of such timber; tom trees, noni, tall timber. While homemade kainputihnyajugamemakai materials from woven carrying. Bam white cloth known in Indonesia import about the end of the 19th century.
Batik-making in the new Roxburgh known after the first world war brought on by a Chinaman named Kwee Seng of Banyumas. Roxburgh area beginning of the 20th century in the famous batik indigo coloring that does not fade and that's why entrepreneurs Solo batik from Banyumas and give employment to many businessmen in Ponorogo batik. Due to the production of batik known Ponorogo after World War until the outbreak of the First Instance of the second world war famous for his rough batik batik blue mori. Market batik rough Roxburgh then famous throughout Indonesia.
Batik Solo and Yogyakarta
Of work-in Solo and Yogyakarta royal environs 17.18 and 19 century, batik and widespread, especially in Java. Batik was originally just a hobby of the royal family on the passing ornate clothing. But subsequent developments, the batik pleh perdagamgan developed into a commodity.
Solo Batik is famous for its traditional batik patterns and patterns in the cap and the batik he wrote. The materials used for staining was still a lot of use of domestic materials such as Soga Java is already known since the first. The pattern remains, among others, famous for "Sidomukti" and "Sidoluruh".
While the origins of batik area since the kingdom of Mataram Yogyakarta is known to any-I with a Panembahan Senopati raj. The first area is the village Plered batik. Batik at the time confined within the royal family environment is done by the women helpers queen. From here batik extends to the first trap on the other the wife of the royal family of courtiers and soldiers. At the official ceremony of the royal family royal men and women wear clothes with batik kombonasi and striated. Because of this kingdom had a visit from the people and the people attracted to the clothes worn by the royal family and imitated by the people and eventually spread out batik out of the palace walls.
East to Solo and Yogyakarta batik batik patterns that have been perfected in Mojokerto and Tulung Court. It also spread to Gresik, Surabaya and Madura. Westward batik being evolved in Banyumas, Pekalongan, Tegal, Cirebon.
Batik developments in other cities
Developments in Banyumas batik Sokaraja centered in the area carried by the followers of Prince Diponegero after selesa-Inya war in 1830, their most-ap menet Banyumas area. His followers were known at the time was Najendra and he developed a batik dyed in Sokaraja. Materials used mori homespun results and color additives used drugs tom trees, trees and Noni pace that gives the red color of yellow artificiality.
Eventually the people Sokaraja batik spread and by the end of the nineteenth century is directly related to batik Solo and Roxburgh area. Local batik in Banyumas been known since before the motifs and colors in particular and is now called batik Banyumas. After World War unity of batik from China also done by batik materials in addition to their trade. .
Similarly, the batik in Pekalongan. Diponegoro followers who settled in this area and develop business sekitara batik in coastal areas, namely in areas other than their own Pekalongan, batik grew rapidly in Buawaran, Pekajangan and Wonopringgo. The existence of batik in these areas almost simultaneously with other areas of batik is about nineteenth century. Developments in areas outside of batik from Yogyakarta and Solo apart closely related to the development history of the kingdom of Yogyakarta and Solo.
Widespread batik out of the palace after the end of the war Diponegoro and the number of the royal family who had moved out of stricken areas of Yogyakarta and Solo for not kejasama with the colonial government. The royal family took his followers stricken on the ground that new and batik continued and then into work for a living.
Batik patterns in this new area as well adapted to the circumstances surrounding area. Pekalongan especially viewed from the process and designya much influenced by the batik of Demak. Until the early twentieth century the process of batik is batik known morinya substance made in the country and also some import. After the war new world of unity known batik fabrication and use of foreign medicines made in Germany and the UK.
At the beginning of the 20th century first recognized in Pekajangan is weaving that produces its own spun yarn Stagen and simple. In recent years new known batik is done by people who worked weaving sector. Growth and more rapid development of batik weaving Stagen and never sugar mill workers in Wonopringgo and Tirto companies ran into batik, because wages are higher than the sugar factory.
Tegal batik was known in late nineteenth century and that used a homemade time taken from plants: pace / noni, indigo, timber Soga and homespun fabric. Tegal batik color is the first time and babaran Sogan gray after known indigo plant, and then increased to a red-blue color. Tegal batik market when it was out of the region such as West Java taken by entrepreneurs in their walk and this is according to the developing history of batik in Tasik and Kudat besides other immigrants from the cities of Central Javanese batik.
In the early twentieth century was known mori import and import drugs known as post-war new world of unity. Batik entrepreneurs in Tegal mostly weak in capital and raw materials derived from Pekalongan and with credit and batik are sold in China that provide raw materials such credit. Time of economic crisis Tegal batik batik-go and lethargic new enterprising back around 1934 to the beginning of the second world war. When Japan entered batik activities to die again.
While batik in Kebumen is known about the early nineteenth century brought by immigrants from Yogya in order to preach Islam among other things known are: PenghuluNusjaf. He is that developed in Kebumen and batik place was first settled east Lukolo time now and there are also relics of the mosque for his efforts. Kebumen first batik process called teng-brother or Blambangan and then the final process is done in Banyumas / Solo. Around the early twentieth century to create pattern used turmeric capnya made of wood. Kebumen motifs: trees, birds. Other materials used are trees pace, and indigo kemudu tom.
Judging by the relics which are now, and the stories passed down through generations of the past, then the estimated area known since ancient batik Tasikmalaya "Tarumanagara" where the relics of the existing number of trees is obtained there are useful Tarum un-tuk batik-making time . Heritage village which still exists today it is the crude batik: batik Wurug known for their industriousness, Sukapura, Mangunraja, Maronjaya and Tasikmalaya city.
Kudat motif result is a mix of Central Javanese batik and its own regional influence especially Garutan motifs and colors. Until the early twentieth century batik in Kudat growing little by little, of their own needs into the production market. 're In the area there kaintannya Cirebon batik with aerah kingdoms, namely Kanoman, Kasepuahn and Keprabonan. The main source of batik Cirebon, the case is the same as diYogyakarta and Solo. Batik appears the palace, and carried out by the courtiers who reside outside the palace. Ancient kings delighted with the paintings and before the cotton is known, the painting was placed on the palm leaves. It happened around the XIII century. It has something to do with batik motifs on the fabric. Characteristic of most of batik Cirebonan motivated images of forests and wildlife symbol. While the motive for marine natural dipengaruhioleh Chinese thought, which was once the imperial Cirebon edit Chinese princess. Sementra Cirebonan batik depicting eagles as influenced by Yogya and Solo batik motif.

strange statue, this statue has an irregular shape, it tends to have a statue of a smooth texture that makes it unique statue, this statue has an implied value of art, not explicit, so each person will have their own opinion about this statue,

cinnamon

a window-dressing, made ​​of cinnamon, which has a distinctive aroma of cinnamon. Cinnamon is also interfered with the cross pieces of bamboo and coconut shell fragments, which add aesthetic value of this item, in addition to the typical aroma, these goods also have a variety of shapes and types, such as, where wipes, ball, plates, bowls, where the fruit and so forth.

bali mask, bali pamangku face mask, where mask has a slightly larger than the size of typical human face, the mask of this type also have some variations in color, like black, brown and natural color.
  This mask is unique, because the mask is made in such a way as to mimic a form of traditional face in bali, like pamangku or parents who use udeng, truly unique is not it?

bronze

Bronze statue of the god Vishnu, the statue has its own uniqueness, which on one plate there variety colors that add value to this sculpture, the statue is also unique because of the shape and carvings in it